Leaving for London

You leave your home thrice.

First, you pause and savor the moment, that strangely-quotidian, strangely-charged moment where you totter out over liminal space, knowing it won't be the same after this. Then you get to the car to start that first journey, realize you need one more thing, and race back. The second leaving is exasperated at your own sentimentality as you lock the door again. The third time involves discovering that in your attempt to stop most of the "power vampire" appliances from sitting there sucking power while you're gone, you've turned off one thing too many. Another dash back, and some troubleshooting, and you close and lock the door a third time, getting in the car for good this time.

It's not always like this, I'm told. But I do this for just about every costumed event, so it makes sense that leaving for this adventure would be little different.

It begins to rain as you leave. Precious rain that hasn't fallen on California nearly at all this winter, and it lends an eerie melancholy to things that you hadn't expected. That last lunch with your folks, their hugging you goodbye where you realize they're (inexplicably?) worried this might be the last time they see you.

As you taxi toward the north-west pointing departure strip, you get misty-eyed looking out the window at all the landmarks you can name. The Dumbarton Bridge, ugliest of all the bridges, is making you cry. Some part of you worries, like your parents did, that you'll never see this again.

You try not to think about it too hard, and this is helped by the pre-flight mimosa (sorry, Buck's Fizz - they're only allowed to call it a Mimosa if it's got honest-to-God French champagne in it, rather than the sparkling white wine in mine). The in-flight entertainment helps. The four drinks with the rather elaborate meal you get as part of your upgrade package helps.

 You catch a few fretful hours of half-sleep, finally shaking the nightmares of the last few days. You promise yourself you won't be as jetlagged and confused as you were last time. You arrive.


The next hour passes in a state of half-waking deja-vu. The habitrail of the outer Heathrow walkways, the long line of Immigration (this time sadly absent the smoking-hot Olympians who'd preceded you in line last time). The unexpected grilling of the immigration officer wakes you, and you are suddenly incredibly glad that you spent the time to print a bank statement, the address you'll be staying at, and the names and numbers of various friends in the area. The guardedly friendly immigration officer spends a long time asking you where you live normally, who you worked for, what you do, who you're here with, what they do, how much money you have, why you're here, what you'll be doing, and writes (as far as you can tell) every last answer on the back of your immigration card.

He then stamps your passport, admonishes you to always travel with an updated bank statement, and welcomes you to the country.

You reunite with your partner on the other side of immigration, sweaty and shaken, but relieved. The post-adrenaline sag hits you an hour later as you're starting to explore the rented corporate housing flat that's your new home. The bed calls urgently to you, but you're persuaded to go explore on the glorious spring day outside.

London is not the dreary, rainy fog bank you were promised. It's grape hyacinths and exotic ducks sunning themselves in St. James' Park, it's geometric modernist architecture next to two-hundred year old brick façades. It's tourists in chunky thick winter tights buying ice cream and staring at the mounted Horse Guards. It's the cheerful red terra cotta of the ubiquitous chimney-pots, and the bronze horse skeleton sculpture stark against the warm blue sky. It's the cold stiff breeze on the tide-swollen Thames. It's the delirium of seeing sixteen different monuments you cannot name and eight important ones you had no idea where so close together, while still so exhausted that you're pretty sure you couldn't retrace your route, and all with the faint tinge of panic that having a non-working mobile and inconsistently working credit cards gives you.

Eventually you are so tired you cannot read things put in front of you anymore and the constant cheerful voice of the train station announcements makes you want to hide under something and you go home to take a nap. Half an hour later you wake refreshed, and try again. Money converted to pounds, oyster card in hand, and a new sim in its packet in your pocket you go shopping, and begin to feel better.

You only peek at your Dropcam back at home once.  You're officially in London.